My work stands as a way of decoding the world around me. Faced with a world that seems to make little sense, I have turned to practice as an orientational device. When viewed as a whole, the results of my practice provide me with documentation of my translation of experience. My primary medium is paper, which I fold grided tessellations from and draw onto. My folding process is based on a geometric sequence with a common ratio of two, dividing the paper into equal parts—halves, quarters, eighths, and so on. This process of division creates a grid that serves as both a structural foundation and a reflective practice.
When drawing I work predominantly with a monochromatic palette, using ink, gesso, graphite, and carbon paper. I draw from life, from photographs I have taken during particular moments in time, and from memory. My subjects often include descriptions of trees in forests or plantations, or parks. The landscapes that I draw, or paint are sometimes from life and sometimes depictions of an internal, emotional space, but they always represent a seeking of perspective and reflection. Each diverting branch that I draw reminds me that the world is filled with binary oppositions and decisions of either action or inaction.